This is a place where the construction of a new socialist countryside is quite effective. Because residents have more contacts with the outside world and more channels to obtain information, the ideological struggle is relatively open, so our work is relatively simple, the villagers are very concerned about state affairs, and many things do not need us to say they understand, even understand more and more comprehensive than us. This makes us basically have nothing to do. In spite of this, everyone feels happy. After all, the purpose of our visit is to let our farmers know about some national policies and forms. Since everyone knows that we have also ended up at leisure, we can free up more time to help those villagers who need help, and we have also improved our work efficiency. The villagers are very enthusiastic, Because I am a rural child myself, Therefore, I am used to everything with everyone in the countryside. Happy days always pass quickly. The seven-day "three rural areas" will soon pass and we will go back. In these short days, we have established deep feelings with our villagers' friends. When we leave, everyone is very reluctant to give up and promises to come often in the future.
解放前夕，我党“地下”工作者刘克豪成功打入国民党保密局沈阳站，与“地上”的军统特工斗智斗勇，成功取得了站长徐寅初的信任，顺利完成了获取沈阳“城防图”的艰巨任务，为我军和平解放沈阳立下了卓著功勋。
该剧讲述了金时空终极一班的雷婷、止戈和金宝三到银时空出任务的过程中意外砸伤了刘备（止戈银时空的分身），从而导致止戈和刘备互换身份的一系列故事。
该剧改编自同名网漫，是Olive TV制作的第一部电视剧，讲述用自己的装潢灵感改变自己的房间和生活的平凡女性的故事，通过自己的装潢找回原本生活的步调，寻获幸福的故事。刘慧英饰演申恩珠，她原本是一个版面设计师，但因为不擅长处理人际关系，以及理想和现实之间的差距而选择辞职，变成自由职业者之后开始自己装潢房间。金宰荣饰演徐敏硕，他是申恩珠的恋人，也是装潢公司的副代表。
该剧讲述了从上世纪六十年代到九十年代发生在北京四合院里的故事。何雨柱是钢厂食堂的厨师，为人善良仗义却口无遮拦，人称“傻柱”。同院住着钢厂工人秦淮茹，她讲孝道，又能干，膝下有一儿两女，但丈夫因工伤去世，日子过得比较艰难。院里住着钢厂放映员许大茂，为人自私自利，跟傻柱是对头。院里还住着三位受人尊敬的老工人，人称“三位大爷”，一旦院里发生邻里纠纷，都由三位大爷协调解决。傻柱看似不着调，却心地善良，不仅对秦淮茹一家的生活资助颇多，还为孤寡老人聋奶奶养老送终。傻柱在与邻里之间的相处中逐渐成熟起来，有了男人的责任与担当。在改革开放的春风下，傻柱开办饭店，并把四合院改建成养老院，和所有的“邻里家人”幸福和睦地生活在一起。
《囚徒 The Prisoner》最早的版本在1967年播出，总共17集，讲述冷战时期，东西方利益集团都在非常紧张的时刻，毫无理由却突然辞职的秘密特工六号(Number 6)被关押在了一个地方，而看守审问他的人就是二号(Number 2)。詹姆斯·卡维泽(James Caviezel)将扮演这个屡次越狱却未能成功的六号(Number 6)，二号(Number 2)则由伊安·麦克莱恩(Ian McKellen)饰演。
出道作品大受欢迎的新人小说家井町润（24岁·女性）。因为卖得很好，所以因为对下一部作品的压力而写不出作品来。润从东京的喧嚣中逃出来，目的地是大阪和京都之间的京阪电铁的“电缆八幡宫山上站”。在那里，遇到了原厨师创介（39岁）和小学生的心（女孩）。润被带到创介和心经营的民宿“纽带屋”，长期滞留。在羁绊屋生活，通过与创介、心、来住宿的客人接触，自己的心也逐渐成长写了第二部作品之后就逐渐向前看了。
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也不愿意给这贼婆做儿女，这贼婆吃儿孙的血肉。
在刚刚成立的神秘社团里，游飞和散步终于找到了真正的宇宙飞船。战战兢兢地步入宇宙飞船的两人，在那艘船上遇到了从遥远彼方的贝鲁盖尔星团来的外星人尤乌迪亚斯！！
From September 1, 1939 to September 2, 1945, Germany, Italy, Japan's fascist axis countries (and Finland, Hungary, Romania and other countries) were on the one hand, and the anti-fascist alliance and the world's anti-fascist forces were on the other. From Europe to Asia, from the Atlantic to the Pacific, 61 countries and regions and more than 2 billion people have been involved in the war, covering an area of 22 million square kilometers. According to incomplete statistics, more than 90 million soldiers and civilians were killed or injured in the war.
Aump饰演的Bright是一个多金的单身女青年，还有着写博客的文艺爱好，她自以为不需要爱情也可以过得很好。直到有一天算命师告诉她，是前男友们的痛苦阻止了真爱的到来，于是她开始帮助旧爱们，直到遇到了Pae饰演的Kem…
该剧以一个普通家庭的生活为主线，讴歌亲情的美好，并且从实际生活的角度生动揭示了当代社会正确的价值观与世界观，为传统的家庭伦理和亲情增添了新的内容和光彩。
1938年6月，武汉会战爆发，抗战局势危急。军统特工谢庚杨自作主张，将长期秘密关押的中共特工孟庆凡“盗出”监狱并射杀江边，抛尸江中，顺水飘到日军阵地。孟庆凡身上携带着一份谢庚杨伪造的假情报，使日本人相信苏联人将会出兵中国东北，进攻武汉的步伐被迫放缓。由于准备仓促，谢庚杨的计划出错，日本特工佐藤坚信这是中国人的阴谋。他亲自到武汉验证情报真伪。死里逃生的孟庆凡从日本人的拷问中，得知了这份计划会对中共造成伤害。他冒死逃离日军营地，返回武汉进行阻止。“谎言计划”被提交到国共高层面前。为了武汉抗战，国共决定携手完成“谎言计划”。为了弥补计划瑕疵，八路军女播音员马小茴被安排与孟庆凡假扮夫妻，两人接受日本人的考验。国共双方情报精英，与日本最精锐的特工人员，围绕着这份谎言计划，在武汉展开了一场搏斗。
WestEnd影业与爱尔兰动画片公司Cartoon Saloon联手打造新动画片《养家的人》。Cartoon Saloon出品的《海洋之歌》曾获2015年奥斯卡最佳动画片提名，新片制作方之一还包括安吉丽娜·朱莉的制片公司Jolie Pas。新动画片改编自黛博拉·艾里斯同名三部曲小说首部，故事围绕一个养家糊口的阿富汗女孩展开。
任时完在剧中饰演如芍药一般魅惑的美少年，虽然外人看起来是美丽而善良的，但实际上却是一个隐藏着扭曲征服欲的高丽世子。林允儿饰演因为美丽的外貌吸引两个男人的视线，但却从不掩饰的用种种手段和方法破坏他们的关系，变身高丽版郝思嘉。(郝思嘉，著名小说《飘》女主角。漂亮、聪明、又性格倔强，特别能吸引周围男子的目光)。
得知苏丽丽怀了自己前男友的孩子，苏陌雪和易家的婚约被取消并惨遭分手，而这一切都是苏丽丽和后妈的谋划。凌墨琛即将担任凌氏董事长，但却被告知必须要已婚，实则是爷爷着急抱孙
尉缭那边面临着不小的压力，自己这边必须要加紧行动了，尹旭心中的压力也着实不小。
Tang Lin, producer of CCTV's financial channel "Charming China City", revealed the innovative highlights of the second season. First, the timing of the second season of the program is better than that of the first season. The 19th National Congress and the National Two Sessions have been held one after the other. At the same time, the 40th anniversary of reform and opening-up is a great moment. From the perspective of the country, we can see the pace of our city and the pace of China. Second, humanistic care is more intense. We only do two rounds of competition, so that the city can focus on the program and carry out intensive cultivation, so that the charm of the city can be better released. Third, we should use real elements to express our love for the city. We will follow the process of filming all the city competitions and rehearsals, and aspire to set up a biography for each city. Competition is only a means, reality is the end.
