PBS十多年前曾播过自己拍摄的剧集，但后来只播英国进口剧集，如今又打算播自己拍摄的剧集。作为PBS杀回「原创」领域的首部作品，该剧沿袭了PBS热门进口剧集《唐顿庄园》的历史风格。故事发生在美国内战时期，主人公是两名护士志愿者——来自新英格兰地区并支持废奴主义的Mary Phinney（Mary Elizabeth Winstead）和支持南方联盟国的南方佳丽Emma Green（Hannah James）。Green家族在弗吉尼亚州的亚历山大市经营豪华酒店生意，北方联邦军1862年占领这座城市后，他们的酒店被改造成专门治疗战争伤员的「大厦之屋医院」（Mansion House Hospital）。
急症室高级医生黎国柱（林保怡 饰）风流不羁，一次偶然发现肿瘤科医生满月（苏永康 饰）的姐姐是律师新月（陈慧珊 饰）。原来国柱曾经有负于她。当两人再次重逢，新月发现自己对国柱余情未了。
《#欢乐满屋# Full House》的Netflix衍生喜剧《#欢乐再满屋# Fuller House》获续订第五兼最终季。
田横笑道：郦先生，听闻我国边境出有贵国韩元帅的军队，不知是何情况？哦？郦食其笑道：想必是韩元帅在剿灭河北之地的盗匪，可能是误入了贵国边境，当真是抱歉。
杨碧芯（惠英红饰）饱受精神分裂困扰，差点毒害了儿子叶劲峰（王浩信饰）。叶劲峰惊吓过度，竟解离出体弱但暖心的人格——朱玑。双重人格的叶劲峰，被刑侦之父聂山（姜皓文饰）赏识，招揽加入特案组，与精神科医生韦睿杰（袁伟豪饰）、拆弹警花游雁星（黄智雯饰）、总督察江政勋（黎诺懿饰）、法医人类学家方菀芊（王敏奕饰）、法证昆虫专家张晓蔓（连诗雅饰）及经常被怀疑与案件有关而需接受调查的小说编辑海蓝（菊梓乔饰）一起恶斗种种心理偏差的高智慧罪犯，侦破多宗惊悚悬案。
何风轻笑点头道：不错，你为了证明自己，肯定会脱了衣裳给人看。
Receiver: Receiver
让魏豹再次看到了一丝希望，或许这是个不错的机会。
Yesterday, the day before the typhoon was about to land in Zhejiang, the sky dyed the whole world a rare faint yellow.
小女孩：好香嗳。
一千多年前，大燕慕容家被乱军追杀，慕容曦逃亡至禁地时，时空隧道打开，仆人王鹏为救主子而将他推进时光隧道，来到一千多年后的现代社会。为寻找复国之法，他误打误撞认识了饮品店
三名大陆青年来港做“省港旗兵”，以为做完大买卖，即返乡下过好日子，误闯误撞之下在一个定婚宴会上，认识富商施头，而施头则被美女Lychee所戏弄，认为前进发与施头一样，杇木不可雕，施头扬言要报复，将前进发交给一名模特儿导师Anita训练，令发成为一出色之社交人才。
时值清初盛世，乾隆继承皇位。京城中有一个叫人闻风而丧胆的组织“血滴子”—身怀绝世本领的王磊，率领陈泰、胡图、穆森、十三、布喀等多名年轻高手，专门执行朝廷秘密任务，缉杀反清异己。在王磊指挥若定下，众人默契配合天衣无缝，每次以秘密兵器「血滴子」取敌首级有如探囊取物，执行过三百四十八趟任务依然从未失手。辉煌战绩令他们越来越自负，也令他们逐渐失去戒心。
以武媚娘入宫前后为故事开始，策封皇后为故事结束。唐贞观年间，利州久旱不雨，百姓民不聊生，直到武家产子当日，气象骤变，甘霖普降。受邀前往武家为初生儿看相的袁相士见婴儿堂堂相貌，惊叹此子当为天下主也。武父闻言，陡然失笑，原来夫人产下的是个女婴。少女武媚娘因为命运的安排，被选入宫，经历了种种的爱恨情仇，卷入多少宫廷的阴谋，乃至家国兴亡的大任。最后，当她永远失去了所爱及爱她的人，这个时候她擦干眼泪，选择了坚强，去迎接未可知的命运 。
花千骨魂飞魄散灰飞烟灭，白子画为保全花千骨不惜牺牲自己以命换命，为花千骨续命。为了不让苏醒后的花千骨放弃自己辛辛苦苦挽回的生命，与之定下千年之约。不曾想，苏醒后的花千骨却等不了千年，不惜使用禁术，借助神器的力量，要前往千年之后，赴与白子画的千年之约。千年之后的花千骨失去了思想、意识，只当自己是个普通的女孩。但是在她周围却聚集着魔君杀阡陌、长留大弟子落十一、复仇者霓漫天等众多有着神奇能力的怪咖。一场寻找神器和寻找自己的奇妙旅程由此展开。
另一方面，万玲曾用梵高的赝品和黑社会老大雷扬（吴镇宇 饰）交易，骗取对方现金200万，遂令雷扬暴跳如雷，不断派人追杀。几组人马凑在一起，场面越来越乱……
20多岁的他孤独又笨拙，还总被自己臆想中的调皮巫师误导，在寻找女朋友时一次次故态萌发。
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
